Photography - An Image with Purpose

Bolsa Chica Ecological Reserve

Bolsa Chica Ecological Reserve

The image above is not supposed to work. There is no strong point of interest. The gray scale only extends to about a middle grey. The blacks lack detail. No highlights. No specular highlights. 

 

Photography has has changed so much since I started in the 70’s. Strong vibrant colors were expected. Black and white images were expected to have a tonal range from deep black to whites that showed detail. I attended a photography program and a well exposed negative was the most important part of the image making process. From there a final print with a wide tonal range was exhibited. Composition was rigidly taught. But somewhere clinical photography started to fade away in my personal work.

 

My image above has lots of mood. Leading lines are there for composition but they don’t lead to a defined subject. The light gap at the end of the walkway is a compositional element that is indifferent. The side rails are void of detail but you look for detail anyway. The wet planks that are walked on are not well defined, almost having an ethereal presence to them. Notice the faint grey band where the horizon should be giving depth to the image. The two dark circles at the right edge of the shoreline. What are they? Notice the “V” that extends into the shoreline and how it mirrors the walkway. No ripples in the water enhance the feeling of solitude. Without ever being there you know that there was complete silence when the image was made. The shutter being activated was the only sound. 

 

Look at some of your recent images. How do they “feel”. Did you have a purpose for the image. What are you trying to say. So much imagery in the world that has nothing to say. Look deeper into yourself. Express what is inside.  

Photography Book of the Year 2017

This was a great year for photography books. I purchased more photography books this year than any year since I started in photography. The quality of books from the smaller presses is unbelievable. These are my favorite books that have a bias toward street photography but some are not strictly street photography books. At the end is my book of the year. It is a reprint from the 1980's and just might be my favorite photography book of all time.

Susan Bernstine Absence of Being

Susan Bernstine Absence of Being

Susan Bernstine

This book was published in 2016 but was not widely available until this year. Fantastic Art photography. She makes her own cameras. 

Henri Cartier-Bresson Interviews

Henri Cartier-Bresson Interviews

Henri Cartier-Bresson

Thoughts on photography by the master of street photography.

Teju Cole Blind Spot

Teju Cole Blind Spot

Teju Cole

Possibly the most popular writing about photography this year.

Alec Soth Sleeping by the Mississippi

Alec Soth Sleeping by the Mississippi

Alec Soth

A reprint but one the best books of the last 20 years.

Nancy Rexroth Iowa

Nancy Rexroth Iowa

Nancy Rexroth

Holga photos taken in Iowa and throughout the midwest. It's great that this work is back in print.

Ernst Haas Color Correction

Ernst Haas Color Correction

Ernst Haas

Fantastic color work from the golden age of Leica photography.

Provoke Between Performance and Photography

Provoke Between Performance and Photography

Provoke

Japanese street photography from the 1960's.

Jack Spencer This Land

Jack Spencer This Land

Jack Spencer

Street and scenic views of America.

FAN HO Hong Kong Yesterday

FAN HO Hong Kong Yesterday

Fan Ho

Incredible Photography. If you are a street photographer this is the kind of work to aspire to.

Gene Smith's Sink

Gene Smith's Sink

Sam Stephenson

The story of a photographers photographer.

Masahisa Fukase Ravens

Masahisa Fukase Ravens

Masahisa Fukase

This is my vote for the best photography book of 2017. First printed in the late 1980's it has been reprinted but always sells out quickly. Grab this while it is available. It is a book of mostly bird photos but that description is misleading. There is so much emotion in this book. Sadness, Solitude, Loneliness. Your images should strive to connect with the viewer, this book does it masterly. A classic collection of images, maybe the best of the last 50 years.

Large Format Photography

How’s this for an example of the evolution of photography. On the left is an image taken with a Sinar 8 X 10 studio view camera and on the right is an iPhone 8.  

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I used to love shooting with my Sinar. I had an 8 X 10 model that also had a 4 X 5 back that I could switch to when shooting “small” format. With the 8 X 10 the standard lens was a 300mm and for the 4 X 5 I used 3 lenses, a 210mm short telephoto, 150mm normal, and a 90mm wide angle. The controls on a Sinar are so precise it is like using a medical device. Photographing with a view camera makes you use different switches and gears in your head. The image is upside down and reversed and you hold a dark cloth over your head to see the image and focus. A small lupe is held up to the ground glass for focusing. Quite different to the autofocus cameras of today. The sheets of film were loaded in complete darkness into the film holders. The film had notches that had to go into the correct corner to ensure the film was loaded properly. When I started in the studio we had hot lights so I had to deal with long exposures and I had to use gels to correct the lights to the film color balance. Later I switched to Broncolor studio lights which made life a lot easier. Shooting large format cameras in the studio is a lot of work. High end product work is difficult but can be creatively and financially rewarding. I do miss the old days of photography. I have so much knowledge from this era that has little use today. I would love to shoot or teach how to use Sinar cameras but there seems to be little demand for this kind of work. Not every aspect of film photography was the best especially when considering the cost, quality and time when compared with the digital workflow but I still miss those days.